The other reason why cycles interest many Fortean researchers is that non-ordinary occurences display cyclical behavior as well. Fortean occurences do appear to be governed by certain temporal patterns, the primary one being that they tend to break out in geographically and temporally localized "flaps." This "flap" phenomenon was first noted by UFO researchers, and David Saunders has devised a basic 7 1/2 year cycle for UFO waves, which may be applicable to other Fortean phenomena. Since Fortean occurences seem to defy the laws of physics and 'normality' that govern our world, it seems surprising why they would show such regularity in their incidence. It is therefore of the utmost importance to examine why this is the case. For the presence of cyclical behavior indicates either that a phenomenon is cybernetically (self-directed) driven or that some external intelligence is manipulating it. If either is true, both have astounding implications. The nature of Forteana is such that they seem to have something strongly to do with time in some fundamental way - they seem to suggest that, perhaps, our linear model of the 'flow' of time may have flaws.
Cycles have several important properties. Most are homeostatic: that is to say, they are able to respond to outside perturbations and return to their original state. Occasionally, once so 'perturbed,' the fluctuations of the cycle may become irregular and unstable, until the cycle basically becomes completely nonlinear: this state is known as bifurcation . Cycles also often obey the principle of 'phase locking': they are brought into phase with other cycles through friction or other forces. Planetary rotations fall into common phases due to tidal forces, but there are many other cycles which are "synchronized" this way. And almost all cycles are entropic, meaning that their frequency starts to decrease as a function of time. For example, it has long been known that the Earth's rotation is slowing down. Most importantly, cycles inevitably are additive, so that amplitudes may cumulatively increase; or, when two cycles are 180 degrees out of phase, they may cancel out completely. Apparent cyclical behavior may be the result of the additive properties of numerous sub-cycles.
There are also various geological cycles, such as the periodicity of the eruption of geysers such as "Old Faithful" and outbreaks of earthquakes and vulcanism; astronomical cycles such as the Platonic Great Year in which the precession of the equinoxes returns to its origin point and the ever-so-famous sunspot cycle; and the chemical cycles such as the Krebs reaction. Geometers have found that many of the cycles in nature seem to be based on fundamental harmonic ratios - in particular, the constant phi , otherwise known as the Golden Ratio, upon which the Fibonacci series is based. The equiangular spiral, symbol of the never-ceasing cycle (which sprawls outward toward infinity), may be constructed from a series of ever-diminishing Golden Rectangles. Perhaps the first observer of such fundamental harmonic properties in nature was Pythagoras, who realized that the musical scale was based on repeating multiples of tones, and who also deduced that the orbits of the planets - since they also appeared to follow a harmonic pattern (i.e. Bode's Law) - must eke out some heavenly Music of the Spheres. This deduction - that bodies in nature followed precise ratios of repetition and vibration - would also prove to be true at a quantum level as well: the idea of the "quantum" is based on the observation that photons appear to move in discrete packets of energy.
Those who know something about Hindu religion know it divides cosmic time into yugas , of which this current one is the last, the Kali Yuga. This fourfold cycle is repeated in Maya and Greek cosmogony. Students of literature have found a fourfold cycle which some have connected to the very origins of drama and storytelling in seasonal nature ritual. Literature appears to pass through phases of Romance, Tragedy, Satire, and Comedy, with the cycle coming around always to romance at the zenith of an era and Satire or Irony at its nadir. Close examination of the arts & letters and popular culture in the 1980s reveals that our society was in the throes of a romantic period, after the bitterly satiric and later comedic art of the 70s, and that in the ascetic, grim "falling down" 90s we have entered another phase of tragedic writing. Some commentators on history, having observed that it is basically cyclical, sometimes utilize this idea as a potentiator for transformation (Marx's Eighteenth Brumaire of Louis Bonaparte - "history always occurs twice, once as tragedy, then again as farce.") Others, like Nietzsche, confronted the old Stoic idea of Eternal Recurrence - "all that was, will be again; there is nothing new under the sun" - and emerged with a deep, inescapable pessimism: no progress could be made, ever. But those who understand the nature of cycles know that in Cartesian space, they move ever further out from the center, attaining the same points, but always further from the origin.
One climate researcher feels that there is a basic 100-year climate-culture pattern. One can divide the centuries of history into a basic set of three phases, he claims: a 25 year "warm-wet" phase, a 25 year "warm-dry" phase, and a 50 year "cold phase" (with its own wet/dry division.) According to this author, there are sharp changes in economic behavior, philosophical beliefs, scientific attitudes, aesthetics, and political systems during these periods. In the "warm-wet" phase, one might find periods of centralization, idealism, imperialism, classicism, and impressionism. In the "warm-dry" phase, those might be succeeded by eras of despotism, decline, slavery, absolutism, moral decline, surrealism, fanatacism, intoversion, and general decline. These are then often followed by "cold" phases in which the domination skeins are individualism, exploration, materialism, realism, naturalism, and taxonomic pursuits. The climate-culture researcher strongly feels that science, reason, equality, and democracy make their greatest leaps forward during such cold (especially cold-dry) periods. Not surprisingly, he often points to the long-believed racist 'fact' that cultures in hot, tropical climates never 'progress' to civilization to buttress his argument, and cliams that the northern European societies made their advances during the Little Ice Age period which encompassed the Renaissance and Reformation. (These 100-year cycles are apparently subcycles of "long wave" 500-year grand climate transforms, but that's a whole 'nother story.)
Whether Weishaupt ever articulated such a system outside of Wilson's imagination is not known. But certainly his (or Wilson's) sources would have come out of the Chinese cultural experience. It has long been believed that the main obstacle to the Chinese civilization's "progress" is that they never had the linear cosmos and time of the West, created for it by the Persians and Christianity. Joseph Campbell makes this thesis explicit: all of the Asian philosophical systems - Hinduism, Taoism, Shinto, Jainism, etc. - are based on what he calls the "Round of Being" cosmology, which in the West was replaced (and completed) first by the linear Nordic Ragnarok which puts a coda in history, and then by the Christian Armageddon. While the Hellenes had a cosmology of decline (from Gold to Silver to Bronze to Iron), their philosophers were also cognizant of an earlier philosophy, learned by Solon from the priests of Egypt. That cosmology was that "civilization" had stood where it was now many times before, and had been shattered many times, through a periodic cleansing of the planet by flood and fire, with mankind always making the same perilous ascent and the same inevitable slow decline.
The story is here to illustrate a key point. What seemed to be a natural epidemic was in fact social in origin. A close analysis of the Junebug case revealed a high degree of tension between workers and management, which revealed itself "physically" through the "epidemic." So, we must ask, are Fortean "flaps" natural cycles, like the others described above, driven by some unknown force? Or is the "flap" phenomenon in fact (as Ulrich Magin and others have claimed) a result of social dynamics in our society pertaining to the transmission of stories and anecdotes? Do "flaps" break out because one person sees a (mistakenly) anomalous event, and then the need for 'me-tooism' causes people in contact with that person to want (and thus encounter) similar experiences? Can the regularity of "UFO flaps" be correlated closely with cultural dynamics, such as the changing 'temperature' of the Cold War or the perceived threats facing humanity, as researchers like Thomas Bearden have claimed? Are the cycles of social psychology, such as the collective anxiety which inevitably governs changes in a society's folklore, at the root of Fortean cycles?
Inevitably, this may often be the case. We must be too anxious to 'naturalize' the unnatural, Forteana. Bigfoot sightings do follow a certain periodicity that some researchers have analyzed as a basic migratory pattern, if one was dealing with a creature whose behavior was as normal and regular as lemmings, locusts, or hibernating bears. UFO sightings do seem to follow a 6 1/2 year cycle, which might seem to be the time they take to "report home" and come back, if we are dealing with outer space visitors. Fortean "falls" and other manifestations also display certain critical annual and multiyear cycles, as Loren Coleman and other researchers have noted, almost as if Charlie's "Sargasso Sea in the Sky" filled up every couple of years. What is most curious is that those cycles seem to repeat within the same "window" areas, as if a "gate" to some borderland world was swinging open and shut with a mysterious regularity... it almost seems to suggest a cosmos where other dimensions slowly swing in and out of the 'orbit' of our own universe, if one want to run with that metaphor. The deep cyclicality of Fortean outbreaks may be a result of hidden laws of nature we have yet to fathom: for where there are cycles and periodicity, there is a governing organizing principle.
Steve Mizrach