Prof. Bruce A. Harvey
harveyb@fiu.edu

HUM 3306
History of Ideas:
From the Age of Enlightenment
to the Age of Anxiety

 
Tuesday/Thursday: 12:30-1:45  Library 175

FIU WebCT intro. & log-in site: www.webct.fiu.edu
Homepage: www.fiu.edu/~harveyb

Humanities Program webpage: www.fiu.edu/~harveyb/hum
Office: AC1 346, (305) 919-5254
Home phone: (954) 920-8938
Office hours: T/TH 10:00-12:30 & 1:45-3:00; & W 10:00-3:00 & by appointment

 

COURSE OVERVIEW AND GOALS

Welcome to HUM 3306! 

I have high ambitions for what you will obtain from enrolling in HUM 3306.  Many of you will have signed up with the notion that you're just completing an FIU requirement, but I hope that by the time you conclude the class you will have opened your minds and hearts to fascinating realms of human inquiry as expressed in the works we'll be reading.  Ideally, how you see the world, and your identity within that world, will be richly and complexly transformed.

We'll be tracking a set of key issues and ideas: the confident emergent in the 17th & 18th century (called the "Age of Reason" or the "Age of Enlightenment") of a skeptical, rational approach to social problems and the realms of nature; the 19th-century's struggle to maximize individuality and interiority (the "Romantic Era") in the face of widespread economic alienation (the "Industrial Age") and discoveries (Darwinian evolution; the vastness and age of the cosmos) that seemed to diminish human significance; and finally, in the 20th century, a persuasive sense of unease--whether from global conflict, the loss of local community, or philosophical angst.

 

Our readings will span political philosophy, economic theory, biology and psychology, as well as fiction and poetry.  We'll discuss and debate how the authors speak to contemporary issues: What is the relationship between how we conceive human nature and how we evaluate different types of government? How can oppressed groups overcome their oppressors? Can we act freely, or are we shaped by forces or categories beyond our control, such as the unconscious or our class position or our DNA blueprint?

This course primarily studies European intellectual history, but there remains an entire globe of cultures extending beyond that which has developed in the West.  And so I encourage you, once you have taken this course, to take others in the Humanities Program or elsewhere at FIU that will round out your interests in and understanding of other, diverse cultural traditions. 

You do not need to bring to the class vast previously-gained historical or literary or philosophic knowledge, but it will demand strong intellectual commitment.   I take the Gordon Rule “Humanities with Writing” aspect seriously: you will be assisted in developing your analytical/critical writing skills, but as the course is a 3000-level one, it also assumes mastery of skills learned in ENC 1101 and 1102 or their equivalent. 

The course has four major goals: 

--To increase your knowledge about key thinkers of the post-Renaissance European world and their historical contexts.
--To help you understand their significance to our contemporary moment.
--To improve your ability to analyze sophisticated, complex texts.
--To develop your skill and pleasure in communicating ideas, both in class and on paper.

 

After our first meeting, email me via the WebCT email component and say "I've read the policies, etc." (assuming you have!).  Feel free, at that point, too, to express any initial concerns or ask questions that you might have about the course.

If the WebCT system fails, you may always find the online syllabus at the top of my homepage:
www.fiu.edu/~harveyb   



TEXTS

--Peter Watson, Ideas: From Fire to Freud (Harper Collins)
--John Locke, The Second Treatise of Government (Dover Publications)
--Olaudah Equiano, The Life of Olaudah Equiano (Dover Publications)
--Mary Shelley, Frankenstein (Pocket)
--Karl Marx, The Communist Manifesto (Penguin)
--Charles Darwin, The Origin of Species (Norton Abridged)


The total cost will be around $60.00.  The Watson book may be ordered thru Amazon.com for $20.00 or so ($10 less than what you’ll pay in the bookstore), and likely you can get cheaper used editions there, too.  If you have different editions of the other texts that’s fine, except for Darwin’s—because the edition I’ve ordered is a much abridged one.

GRADES

25%     8 one-page reading responses
50%     2 essays: 4 pages and 7 pages
25%     Final exam: in-class short answers and a 5-page take-home

The course is a large one, and so a Ph.D. graduate student will be helping me grade papers and exams.  I will, however, be reading and assessing the response papers.

COURSE POLICIES

Prerequisites: As this is a 3000-level course with matched writing expectations, you will not be able to do well in it if you have not successfully passed ENC 1101 and 1102 or their equivalent. 

Attendance
: Regular, and on time, attendance is required.  You get two absences penalty free.  I won't ask, and you don't need to explain.  For the next two absences, your grade will be docked a notch--e.g. B+ to B--except in the case of true emergencies or religious holy day absences.  If you miss more than five classes, you cannot pass the course.  If you show up late for class, you likely will be counted as absent.

Participation and Preparedness: I will give formal lectures occasionally, but even with a large class size, there should be ample time for class dialogue and you should feel free to voice your ideas.  Don't be shy--you can be sure that if you feel nervous about speaking up many sitting next to you do, too, but after the first time it gets easier, and the flow of good class discussions will make the course more satisfying for everyone. Class participation and preparedness (which may be tested via short quizzes) can help pull your grade up a notch and make the crucial difference between a “C” and a “C-“ (non-passing) grade.

Obviously, the larger the class the more difficult it will be for me to get to know you individually: so, please talk to me after class, or see me in conference, or even send a photo image via email so I can start to connect names to faces.

Incompletes
: These can only be granted if you have a health or family emergency.

Plagiarism
: Don't do it.  It is very easy to detect, and the consequences of being found guilty can be devastating for your FIU career, besides being ethically nasty.  If you do not know university policies on plagiarism, learn them: go to this link: http://w3.fiu.edu/enc/Plagiarism.htm.  Most students plagiarize because of desperation; if you feel desperate, talk to me! 

Conferences:  I am always happy to meet with you during office hours to talk more about the readings, assignments, or other course matters.  You do not need to set up an appointment time to see me during my office hours, and you are welcome to drop by just to chat.  For personal/urgent concerns, you may call me at my home number, leave a message on my office phone, or email me at my FIU address: harveyb@fiu.edu.  I check my email regularly, so if you don't get a reply within a day, you should assume what you sent did not arrive and needs to be sent again (the FIU junk-mail filter sometimes screens out messages with subject lines such as “question” or “paper”; so give a specific subject line, e.g., “Locke paper question from Chris”).  

Class WebCT Email:  To turn in response paper assignments, use the email component within the WebCT system. 

WebCT Syllabus:  I will post review materials and, occasionally, primary texts or illustrations for you to download, print out, and bring to class (if indicated) for discussion.  You should check the online syllabus once or twice a week to make sure you are up-to-date.

WebCT Instructions:  Go to www.webct.fiu.edu for instructions.  If you have problems, consult the help/instructions on the WebCT website first, and then contact me if the problem is not solved.


WRITTEN WORK & EXAMS

Eight Reading Responses:  These will be submitted via the WebCT email component.

I will post a question or topic on the syllabus (below), and you will have usually up to one week to respond.  The due date is given in the left column of the syllabus.  The responses--around 200-300 words long--should be decent in terms of grammar, spelling/punctuation, and sentence style.  They should be focused and analytical or interpretive--don't ramble and don't just summarize the readings.  The responses are a chance for you to explore your intellectual reactions to the texts; write what you think, not what you believe I may want to hear.  Sometimes I will ask how a specific passage reflects issues about the larger text from which it is taken, sometimes I'll ask you to respond to class lecture or discussion, sometimes you'll be asked to do a bit of web-research and report your findings, and sometimes the topic will be open-ended.

For each--indicated by my WebCT email reply--you will receive either a "2" (thoughtful and competently written) or a "1" (not very thoughtful or poorly written) or "0" (not submitted).  Two "1"s may be revised, but the revision must be extra thoughtful and polished in terms of grammar and style.  The revisions may be submitted at any point before the last day of class

The collective grade for the responses will be calculated as follows: A(15-16), A-(13-14), B+(11-12), B(9-10), B-(7-8), C+(6), C(5), C-(4), D+(3), D (2), D-(1). 

The responses should be pasted directly--single-spaced--into your email message, and should have the title Response1, Response2, etc., along with your name, last name first: e.g.,Response1HarveyBruce
 

Please also cut-and-paste your postings into a personal, at-home file for safekeeping (in case of a WebCT meltdown).

Papers:  I will give instruction handouts for both papers. 

If you have strong writing skills and familiarity with a particular field or subject matter, you may (after convincing me of your competence) write in lieu of the two papers and take-home portion of the final exam, a longer, 15-page paper, which would be expected to include serious secondary research.  If you are interested, chat with me early in the semester about possibilities. There are many: for instance, if you are a Psychology major, you could investigate to what extent Freud’s theories are still held useful; if you are in Nursing or Biology, you could investigate birth-labor practices in the early 19th-century in respect to Shelley’s Frankenstein; if you are a Business or Political Science major, you could focus on contemporary consumerism as thwarting Marxian revolutionary fervor.  And so on.  This option will have rigorous standards for a good grade, and is intended for those who can work independently.  If you are writing the longer paper, individual schedules for completion will be developed in consultation with me.

Revisions: You may revise your essays, but the standards-bar for a revision goes up, with real revision/rethinking being required.  A revision--as it gives you the opportunity to develop your ideas--should also typically be somewhat longer than the original (assuming wordiness was not a problem).  Before you revise an essay, you must consult with me (not my graduate assistant who initially graded the essay). Revisions must be turned in on or before the last class meeting.        

Midterm Exam:  There is no graded exam, although I likely will give a brief diagnostic one to help you gauge your absorption of the course materials.

Final Exam: This will be comprehensive, consisting of short one or two sentence answers to more or less objective questions.  There also will likely be a take-home synthesis portion, about 5 pages long, in which you respond to a take-home question/questions and provide a mini-essay or essays.   Instructions will be handed out later in the semester.

 

AT THE END OF THE SEMESTER, COPIES TO E-TEXT LINKS, MY REVIEW NOTES, ETC. WILL BE IN THE GRID BELOW
 

E-TEXTS PROF. REVIEWS INSTRUCTIONS  
E-text: Great Chain of Being "Wiki" article & illustration

 

Review: Enlightenment Lecture Instructions: For Essay # 1 due Class 11 (Oct. 3)    
E-text: Ben Franklin perfection chart & Charles W. Peale painting

 

Review: Locke#1
Instructions: For Essay # 2 due Class 25 (Nov. 21)   
E-text: Diderot Enlightenment Encyclopedia table of contents image (Diderot, a French intellectual, helped to organize one of the first encyclopedias)

 

Review: Locke#2 Final Instructions: In-Class and Takehome  
E-text: Linnaeus website (read 1st several paragraphs, not bullet-point material)

 

 

Review: Locke#3
   
E-text: Just skim this for curiosity's sake; about 17th-18th coffee house fad I mentioned the first day


 

Review: Equiano    
E-text: Tom Paine--biography

 

     
E-text: Wollstonecraft--biography

 

Review: Enlightenment Big Trends Revisited One Last Time    
E-text: Tom Paine--sample his writing

 

Review: Enlightenment vs. Romantic Comparison    
E-text: Wollstonecraft--sample her writing

 

Review: Frankenstein    
E-text: Equiano--click on the "next" buttons for the historical context of Equiano's narrative

 

Review: Realism    

E-text: W. Wordsworth--biography (read the opening page and the next one)

 

Review: Darwin    
E-text: W. Blake--biography (skim/read--note illustration of Newton on left 1/3rd down)

 

Review: Diagnostic Midterm Answers    

E-text: J. Keats--biography (read the "Life" part after opening paragraph)

 

Review: General Marx    
E-text: Romantic Era Poems--BRING TO CLASS Review: Marx Shoe Factory Scenario    
E-text: Rousseau--BRING TO CLASS
 
Review: Key Ideas for Watson Ideas book    
E-text: Adam Smith biography
 
Review: Modernism and Nietzsche    

E-text: Adam Smith excerpt

 
Review & E-text: Modernism & Examples    

E-text: Nietzsche essay--On Truth and Lie

E-text: Nietzsche biography

Entire Course on One Grid Page    
E-text & Review: Freud "Abasement" essay      

E-text: Frantz Fanon biography


E-text: Frantz Fanon speech

 
     

 

  

Assignments due will be indicated directly below the class date.

SYLLABUS


E-text
= additional primary texts or artwork or links to material at other websites, which you should print out so that you can read and study them.  However, you do not need to bring them to class, except when noted otherwise.  A significant number of questions on the final exam will derive from these.

Review = my lecture notes, chronologies, summaries, etc.

Instructions = guidelines for papers or exams.

Watson = the big textbook: you do not need to bring it to class.  Do bring to class the other particular primary books (Locke, Equiano, etc.) when we are discussing them.


Red text
= miscellaneous tips, info., and notes that I put directly on the syllabus as the semester progresses. 

 

The Enlightenment I: Putting Nature in the Encyclopedia

Class 1 Aug 29 

HURRICANE DAY: NO CLASS

Class 2 Aug 31 

Intro. to the Course

Class 3 Sept 5

 

E-text: Great Chain of Being "Wiki" article & illustration

E-text: Ben Franklin perfection chart & Charles W. Peale painting

E-text: Diderot Enlightenment Encyclopedia table of contents image (Diderot, a French intellectual, helped to organize one of the first encyclopedias)

E-text: Linnaeus website (read 1st several paragraphs, not bullet-point material)


Watson: Intro. pgs 1-8; Chapter 23 pgs 474-89, Chapter 25 pgs 512-13 & 520-26, and Chapter 26 pgs 527-9, 532-35, & 540-44

IMPORTANT: I WILL MAKE A FEW XEROX COPIES OF THE ABOVE PAGES FROM WATSON, WHICH SEVERAL IN THE CLASS CAN THEN MAKE COPIES OF--UNTIL WE HAVE ENOUGH FOR THOSE WITHOUT IT. 


No textbook is perfect: Sometimes Watson in Fire to Freud assumes knowledge of particular historical events or figures, and at other times he lists too many names or examples.  I am expecting you to get the gist of his arguments and explanations, not memorize them or every author/thinker he mentions.  You will also note he dislikes institutionalized religion, and takes many opportunities to critique it.

 

The Enlightenment II: Possessive Selfhood, Civil and Political Rights, and the Delights of Property

Class 4 Sept 7

Locke, Second Treatise: Editor’s Note. & Chapters I-II

Watson:  Chapter 22 pgs 458-60 & Chapter 24 pgs 500-11

 

As the bookstore sometimes under-orders, here is a website for Locke's text, so that you can print out the above Chapters 1-II if need be: Locke website

 

E-text: Just skim this for curiosity's sake; about 17th-18th coffee house fad I mentioned the first day

Review: Enlightenment Lecture

Class 5 Sept 12

Response#1 Due (the topic and future response topics are at the end of this syllabus; all response papers are to be submitted via WebCT email--single-spaced--directly within the email message, not as attachments; they are due by the beginning of class, even if you miss class; the title of your email message MUST be Response1, Response2, etc., followed by your last name & first name): e.g. Response1HarveyBruce

 

Note that for this Response you will be responding to the readings for this day.

Locke: Chapters III-V, VI (sections 54-58, 60, 70-76), VII (sections 77, 87-91), VIII (sections 95-101, 115-22), IX, & X

Review: Locke#1

Class 6 Sept 14

Locke: Chapters XVIII (199, 203, 204, 207-210) & XIX (211-212, 219-230, 240-243)

Some students may have been automatically dropped from classes for non-payment of fees.  Please double-check, via Panthersoft, to make sure you are enrolled in the classes you think you are enrolled in.
 
Review: Locke#2

Instructions: For Essay # 1 due Class 11 (Oct. 3)  

 

The Enlightenment III: The Advancement of Freedom  

Class 7 Sept 19

 

 


E-text: Tom Paine--biography

E-text: Wollstonecraft--biography
E-text: Tom Paine--sample his writing

E-text: Wollstonecraft--sample her writing

 

Read the biographies above of these two great radical Enlightenment thinkers.  Then sample (skim & dip into) their writings in the next two e-text selections.  You do not need to bring these e-texts to class.  We will discuss their writings based on a quote-handout I will provide in class. 

 

SEE LOCKE REVIEW#3 AT SEPT 21 BELOW

Class 8 Sept 21   

Equiano: Editor’s Note (not the Preface!!!); Chapters I-III, IV (first several pages), & V

Be sure to read Chapter I, Chapter II, etc., not just the sections within the chapters, which are also numbered I, II, etc.

E-text: Equiano--click on the "next" buttons for the historical context of Equiano's narrative

 

Review: Locke#3

Class 9 Sept 26


Response#2 Due
       

Equiano: Chapters VII-VIII, X-XI, XII (first several pages; last several pages), & Preface (Preface only makes sense after you've read the narrative)
 

E-text: FYI--a summary of the "fabrication" issue of the early chapters of Equiano's narrative

Review: Equiano

Review: Enlightenment Big Trends Revisited One Last Time

 

Bourgeois Spaces and the Sublime:
The Romantic Rebellion & the Discovery of Interiority

Class 10 Sept 28 



 

Watson: Chapter 30 pgs 606-19
 

E-text: W. Wordsworth--biography (read the opening page and the next one)

E-text: W. Blake--biography (skim/read--note illustration of Newton on left 1/3rd down)

E-text: J. Keats--biography (read the "Life" part after opening paragraph)

 

Please read/skim the brief biographies above, and print out and bring to class the e-text Rousseau and e-text poems below.  Read, with particular attention before class, Wordsworth's "Tintern Abbey" and Keats' "Ode to a Nightingale".  


E-text: Romantic Era Poems--BRING TO CLASS

E-text: Rousseau--BRING TO CLASS

Class 11 Oct 3
 

Essay#1 Due

Equiano passage winner:

"
Motivated by greed, the captain and Equiano commit to caring for a silversmith who has become severely ill while waiting to depart with them to the West Indies in exchange for a large sum, and although after the silversmith's death they receive none of the promised money, they do build a more substantial bond through their disappointment at the unfulfilled promise and their final irreverence for the dead man."

 

OR
 

"The passage of the dying silversmith in Equiano's biography is an allegorical turning point which diverts Equiano from his path of freedom to one of vanity within that freedom: the "treasure chest allegory" shows that Equiano spends money on a suit before he has attained freedom, which opens doors to Equiano's radical persona changes from a modest slave to a vain free man."
 

ESSAY #1 DUE


Readings from last class continued

Or, Film to be selected

Or, Enlightenment Era thru Romantic Era classical music (Mozart, Berlioz, & Chopin)
 

 

Class 12 Oct 5

Shelley, Frankenstein: we will discuss in roughly 1/3rd chunks, but try to read as much as you can for today

Read the editor's introduction & chronologies before reading the novel: vii-xxi 

Class 13 Oct 10   

 

 Response#3 Due 

Frankenstein: continued 

Class 14 Oct 12      

Frankenstein: continued

Review: Enlightenment vs. Romantic Comparison



 

 

 

Bourgeois Spaces and the City: The Rise of Realism

Class 15 Oct17

 

E-text: urban realism short story or artwork to be selected. 
 

DIAGNOSTIC MIDTERM EXAM: this will be designed to give you a sense of whether you are adequately learning the course's material (including the Watson Ideas chapters), and the questions will be similar to those on the final exam. 


Whatever I put here as an E-text, I will also provide as copies in class for us to discuss.  IN OTHER WORDS, SHOW UP FOR CLASS--BUT NO READING ASSIGNMENT IS DUE.  GOOD LUCK ON YOUR MIDTERMS FOR OTHER CLASSES, WHICH I ASSUME ARE HAPPENING AROUND NOW!

 

Review: Frankenstein

 

Review: Realism
 

Film to be selected if time

 

Revolutionary Thinkers:
Rewriting the History of Nature and the History of Social Relations

Class 16 Oct 19         
 

Watson: Chapter 31
Darwin, Origin of Species: Editor’s Intro. (sections 1,2,3, & 5) & Darwin’s Intro.

Class 17 Oct 24     

Response#4 Due
        

Darwin: Chapters I-III

Review: Diagnostic Midterm Answers

Class 18 Oct 26 

 

Darwin: Chapters IV (46-53top, 61bottom-65top, 72bottom-74), Chapter VI cut
& Chapter XIV (115bottom-121)
 

Review: Darwin

Class 19 Oct 31         

Watson: Chapter 27 & Chapter 32 pgs 650-59
 

E-text: Adam Smith biography

 

E-text: Adam Smith excerpt


Review: Realism--same as before, but read the Dickens' Oliver Twist and F. Engel's city poverty excerpts

 

Please consolidate your understanding of pre-Darwin ideas, Darwin per se, and Darwin consequences per the Darwin Review above (for Oct. 26); please see the instructions for the 2nd Essay below.



Instructions: For Essay # 2 due Class 25 (Nov. 21)

Class 20 Nov 2         

Marx, Communist Manifesto: read my review below on Marx before, during, or after you read CM.  All you need to read in our edition of CM are Parts I, II, & IV (pages 219-33, 234-44, & 257-58)

Review: General Marx

Class 21 Nov 7

Response#5 Due
  

Marx: reread Part I

Review: Key Ideas for Watson Ideas book

Instructions (again): For Essay # 2 due Class 25 (Nov. 21)

 

Marx: reread Parts II & IV


Film documentary if time: Mickey Mouse Goes to Haiti

 

Class 22 Nov 9         

Marx: reread Parts II & IV


Review: Shoe Factory Scenario (basically same as "football" scenario we did in class)

          

Modernism: Angst and the Abysses of Horror

Class 23 Nov 14     



    

Watson: Chapter 36 pgs 722-28 & Chapter 37

 

Warning: Both the Nietzsche and Freud material (next class) are difficult and disturbing, but key to understanding
the "... Age of Anxiety" aspect of the course!!!

 

E-text: Nietzsche essay--On Truth and Lie (please read/print out both parts "1" and "2" and bring to class for discussion)

E-text: Nietzsche essay--On Truth and Lies--IF ABOVE LINK DOES NOT WORK

 

E-text: Nietzsche biography

 Class 24 Nov 16         

Response#6 Due 

E-text & Review: Freud "Abasement" essay

 

E-text: Nietzsche essay--On Truth and Lies--IF ABOVE LINK FOR NOV 14 DOES NOT WORK

 

We will spend 15 minutes reviewing the Nietzsche essay and then turn to Freud.  Try your best to summarize Freud or Nietzsche  for Response#6; reasonable efforts will be successful!

 

As discussed in class: for the Final Exam, you will have the option of taking either the officially scheduled in-class (objective, short-answer exam) or completing the take home synthesis essay (requiring you to show how a number of our authors relate to a topic I will give about 1 week before the date of the final exam).  You can do both, if you wish; and the higher grade will prevail.  The take home will be due by the date/time of the in-class.

 

Film: WWI or Holocaust or Modernist Art documentary

          

Modernism: Its Aesthetic Forms

Class 25 Nov 21  

Essay #2 Due


Instructions: For Essay # 2

Review: Modernism and Nietzsche

 

Review & E-text: Modernism & Examples

YOU SHOULD CONCENTRATE ENTIRELY ON YOUR ESSAY #2
 

 

Film: WWI or Holocaust or Modernist Art documentary continued
 

If time: modern & contemporary classical music (Shostakovich and Glass) 


ESSAY #2 DUE

No Class Nov 23

THANKSGIVING HOLIDAY

 Class 26 Nov 28

Review & E-text: Modernism & Examples

 

We will complete the "Behind the Lines" (WWI) film; briefly wrap-up on Freud; and, then, if time start on the materials on the above link.  You do not, though, need to look at the above link before class, as I will bring in art/music/poetry to discuss.

 

Film: to be selected or continued from previous class

 

Against Imperialism and Patriarchy

Class 27 Nov 30

Response#7 Due (canceled--most of you have been working diligently on the response papers, and so "2"s across the board will be entered for this grade)

Review & E-text: Modernism & Examples continued

 

Film: "The Gods Must be Crazy" (if time)


 

Class 28 Dec 5

Response#8 Due

NA- E-text: feminism in poetry & art CUT
 

Film: "The Gods Must be Crazy" (continued, if time)
 

E-text: Frantz Fanon biography


E-text: Frantz Fanon speech


Final Instructions: In-Class and Takehome

Class 29 Dec 7

Wrap-up: Course summary, Final Exam practice, professor evaluations

Entire Course on One Grid Page (you may, or may not, find this useful)

Final Instructions: In-Class and Takehome

FINAL EXAM

Dec. 12 Tuesday

12:30-3:15 Tuesday December 12 (Instructions to be provided)

 

Final Instructions: In-Class and Takehome

 

RESPONSE#1 TOPIC: 

Option 1: Respond to Locke’s argument in sections 37 & 40-44: These are key sections for Locke's thesis that the right to keep the fruits of one's labor (property) is for the common benefit, and is not merely one person getting wealthy at the expense of others. 

Option 2:  Respond to how in sections 46-50 Locke comes to the conclusion that we "agreed to a disproportionate and unequal possession of the earth" (#50).  You might also want to consider, in section 37, whether Locke seems to think that the invention of money allows us to satisfy an innate acquisitive urge, or that it creates greed in the first place.

Option 3:  Locke, thru his theory of labor value, provides (or seems to) ethical legitimacy to capitalism (the acquisition of wealth).  Evaluate his argument.

 

RESPONSE#2 TOPIC: 

Choose any significant passage in Equiano's narrative that seems to be symptomatic or paradigmatic--that is, a scene/passage that particularly encapsulates something important about Equiano's personality, his relationship to the world about him, and so on.  Quote the first several lines of the passage (and give the page number) in your response, and then give your response.  Be very careful not to just paraphrase/summarize the passage; the goal is to show how the passage reflects important issues, etc., in the surrounding narrative.  Here are some leading questions that might help you: does Equiano's attitude towards his white captives (and their culture) change in the progress of his narrative? what makes Equiano most happy? would you say that Equiano's capitalist urges sometimes are suspect?

*As an additional Essay#1 paper option: if you end up being really curious/excited by Equiano's narrative, and feel your response could be a good "seed" to grow a longer paper, you may write on Equiano for Essay#1--but you must discuss this option one-on-one with me, and you must incorporate somewhere in your paper an historical/ideological context that would include our much-loved Mr. John Locke!

**Many responses seem to have been composed directly in WebCT email.  If you have problems with spelling or sentence construction, it would be much better if you composed using "Word" etc., printed out your response, edited/proofread it, and then pasted it to WebCT email.  A "1" is roughly equivalent to a "C" or lower; if you get two "1s" in a row, you definitely should go to the Learning Center or visit me in conference.  Those who consistently get response-paper "1"s will not likely do well on the main essays!

*** Click on this link for the sample response papers I handed out in class.  They are longer than need be and have some glitches; but overall, they represent a high standard you should be aspiring to! Notice varied sentence length/patterns; notice they sound academic but not too stodgy; notice that they do much more than paraphrase.  When I read these, I know their authors understand Locke.

**** SAMPLE RESPONSE#2:  Again, the response below is longer than it need be and it has glitches, but when I read it I know the student a) has read Equiano thoughtfully, b) has understood the goal, which was to focus on a particular passage as it radiates meaning from the larger narrative/text from which it is taken (I used the the words "symptomatic" and "paradigmatic"), and thereby learned that focus illuminates, and c) has made efforts to use mature, interesting prose.

I not only felt myself quite easy with these new countrymen, but relished their societies
and manners. I no longer looked upon [whites] as spirits, but as men superior to us; and
therefore I had the stronger desire to resemble them, to imbibe their spirit, and imitate
their manners.” – The Life of Olaudah Equiano, page 51

     This passage is from a chapter of the book which marks the end of Gustavus’ life as a
kidnapped and confused boy, who wished mostly to find a way to escape his masters and
return home, to a young man who at least somewhat accepts his current role as a slave,
and wishes to rise above it and become free, so that he might live his life as a part of
what he now believes to be the better world of the Englishmen. Later in the book
Gustavus learns of and converts to Christianity, and becomes subject to many inner
torments and ecstasies as a result of doing so. I often wondered what it was that made
people, and even whole countries, accept so whole-heartedly religions or doctrines of
their oppressors, which they have never known of before. I think now that I see the
reason in this autobiography, especially in the above quoted passage.
     I believe it comes mainly from the opinion that the enslavers or conquerors are so
much better, with their wondrous technology and refined customs which give them such
power and luxuries, that the ignorant or underdeveloped conclude that any belief system
and dogma of theirs must also be superior to their own. Gustavus seems to me a perfect
example of one who, in order to find acceptance with those around him, allows his
individuality to be absorbed, so much so that even the practice of slavery and
kidnapping, which he once viewed as proof to these peoples’ barbarism, no longer
phases him so much. Indeed, although every so often while under the rule of a cruel
master, or in seeing those under them, he reflects on the horrors of slavery, when he
himself finally becomes a free man, he becomes yet another cog in the machine of it,
participating once in awhile in the shipment of slaves from one continent to another. The
guilt and self-loathing that Gustavus feels time and again as a result of his adopted belief
system, sometimes so strong that he wishes himself dead, are, it’s true, balanced by
times when he feels blessed and virtuous, and views himself as one of the saved,
destined for heaven. In doing so however, he also adopts the, in my personal beliefs,
unfortunate view that those who do not live as he does, think as he does, or believe what
he does, are damned, and are vile and loathsome to behold in their customs or be next
to. In short, I see Gustavus Vassa a perfect case of the alteration from one living in the
nearly “state of nature” society, to one in the more modern, “civilized” life-style, with
almost all of its beliefs and customs included.

 

 

RESPONSE#3 TOPIC:    See above for a sample Response#2 from a student in the class

I'll keep this question brief as I know you all have a lot going on midterm/etc-wise:  Why does Victor hate the monster and (only if you wish to add) why does the monster seek vengeance against Victor?

1. The existence of the monster, it seems to me, stands as Victor Frankenstein’s ultimate loss. Accomplished, respected, proud, and truly a genius, his only real failure was not being able to help the monster learn. He was a scientist, not a father, and in his efforts to remain a scientist the monster turned from him, in a sense. However, I think it was Victor who turned on the monster first, and in frustration and anguish the monster did the same. I don’t believe Victor hated the monster as much as he hated himself. In the face of his constant failures which led him to the loss of all whom he held dear, he found a virtual scapegoat. Though he blamed it on the monster, he knew he had no one to blame but himself through and through, not because he was the one that created it, but because he was the one that couldn’t give it what it needed. Pride was Victor’s downfall, and it was that same pride that took him to the grave. I’m sure he wanted to ask forgiveness from his creation… but it was pride that couldn’t let him do that.


2.  Victor takes a dislike towards anyone with whom his eye does not find pleasure. From the very beginning of his young life, he possesses a favor for the gentle, soft exterior of the persons in his life; namely Elizabeth. The very first moment she is presented to young Victor, even at the age of four, he takes great notice of her attractive countenance; likening her to a "favorite animal" on whom he "loved to tend on". On his first initiation into the study of the natural philosophies, of which Victor has paid dearly in its pursuit, he is, initially, repelled by its representative, Krempe, who he describes as "a little squat man, with a gruff voice and repulsive countenance". As a result, Krempe fails in persuading Victor to study the modern sciences. However when its dealer changes his appearance to a more aesthetically agreeable Waldman, Victor lifts his "prejudices against modern chemists". Furthermore, Victor himself states, "it was, perhaps, the amiable character of this man that inclined me more to that branch of natural philosophy which he professed, than an intrinsic love of the science itself". Yet his definition of "character" is rather flawed and superficial. After two years "spent in painful labor, to arrive at once at the summit of my desires, was the most gratifying consummation of my toils" but it was not to be, since his first, and only, reaction to his creation is horror and disgust. His first impression of his glorious creation, of which he has sacrificed much for, is its grotesque form. He describes the creature's appearance in great detail and, without contemplation, abandons it without thought or remorse. Had this creature the "lively blue eyes" of William or the "attractive softness" of Elizabeth, it would not have been so neglected and hated by Victor.


 

 

RESPONSE#4 TOPIC:  See above for a sample Response#3 from a student in the class

Option 1: Explain in a paragraph your understanding of Darwin/evolutionary theory (from high-school, other college classes, whatever) BEFORE reading Darwin's actual book.  Then briefly explain how reading the actual book is modifying your understanding.  In other words, what are you learning by reading Origin of Species?

Option 2:  On page 43 of our edition, Darwin says that "We behold the face of nature bright with gladness..."  Respond to this passage.

 

 

RESPONSE#5 TOPIC:

Option 1:  Explain why Marx believes that capitalists/owners of factories (etc.) are not justly reaping the rewards of their entrepreneurial energy, but are, rather, exploiting laborers and in effect stealing the "surplus value of labor."  You will likely need to read my Marx review in addition to Marx's CM to answer this: the goal of this response is for you to put Marx's theory in your own words.

Option 2:  Provide an ethical justification for vast discrepancies in ownership or an ethical critique of such discrepancies.  Your response should demonstrate you understand Marx.

 

RESPONSE#6 TOPIC:

Cohesively summarize the main ideas in either the Nietzsche e-text essay or Freud e-text essay.  And then, briefly, assess/critique the ideas.

 

RESPONSE#7 TOPIC:

This response is cut; automatic "2"s put in the grade column for this response.

 

RESPONSE#8 TOPIC:

For this last response, I will be expecting polished, grammatically-impeccable prose!

Option 1: Respond, as you wish, to the WWI film, "Behind the Lines"

Option 2: Respond, as you wish, to the Eliot poem, "The Love Song of....Prufrock"

Option 3: Respond, as you wish, to the F. Fanon e-text speech.