Publications

Leider, C. and K.H. Burns, "The Sound Recordist as Composer: Practical and Aesthetic Concerns." Proceedings of the 2006 International Computer Music Conference. San Francisco, International Computer Music Association.

Burns, K.H. "Music Technology at Florida International University." Proceedings of the 2003 International Computer Music Conference. San Francisco, International Computer Music Association.

Leider, C., and K. H. Burns. 27/2 (Summer 2003). “My Cinema for the Ears: The Musique Concrete of Francis Dhomont and Paul Lansky,” a review, Computer Music Journal.

Burns, K. H. Editor-in-Chief. December 2002. Women and Music in the US Since 1900: an Encyclopedia, Greenwood Publishing, Inc. Two volumes, 250,000 words. Associate Editors include Dr. Judith Coe (University of Colorado, Denver), Mr. Stephen Fry (University of California, Los Angeles), Dr. Deborah Hayes (University of Colorado, Boulder), Dr. Cristina Magaldi (Towson University), Dr. Patricia O'Toole (The Ohio State University), and Dr. Sally Reid (Abilene Christian University). Advisory board includes Dr. Harriett Hair (University of Georgia), Ms. Pauline Oliveros (The Pauline Oliveros Foundation), and Dr. Judith Tick (Northeastern University).

Burns, K. H. 2002. "Amacher, Maryanne." In K. H. Burns, ed. Women and Music in the US Since 1900: an Encyclopedia, Greenwood Publishing, Inc.

Burns, K. H. 2002. "Galas, Diamanda." In K. H. Burns, ed. Women and Music in the US Since 1900: an Encyclopedia, Greenwood Publishing, Inc..

Burns, K. H. 2002. "Garland, Judy." In K. H. Burns, ed. Women and Music in the US Since 1900: an Encyclopedia, Greenwood Publishing, Inc.

Burns, K. H. 2002. "Grammy Award." In K. H. Burns, ed. Women and Music in the US Since 1900: an Encyclopedia, Greenwood Publishing, Inc.

Burns, K. H. 2002. "Internet Resources." In K. H. Burns, ed. Women and Music in the US Since 1900: an Encyclopedia, Greenwood Publishing, Inc.

Burns, K. H. 2002. "LaBelle, Patti." In K. H. Burns, ed. Women and Music in the US Since 1900: an Encyclopedia, Greenwood Publishing, Inc.

Burns, K. H. 2002. "Lee, Brenda." In K. H. Burns, ed. Women and Music in the US Since 1900: an Encyclopedia, Greenwood Publishing, Inc.

Burns, K. H. 2002. "Lilith Fair." In K. H. Burns, ed. Women and Music in the US Since 1900: an Encyclopedia, Greenwood Publishing, Inc.

Burns, K. H. 2002. "Musgrave, Thea." In K. H. Burns, ed. Women and Music in the US Since 1900: an Encyclopedia, Greenwood Publishing, Inc.

Burns, K. H. 2002. "Ran, Shulamit." In K. H. Burns, ed. Women and Music in the US Since 1900: an Encyclopedia, Greenwood Publishing, Inc.

Burns, K. H. 2002. "Wells, Kitty." In K. H. Burns, ed. Women and Music in the US Since 1900: an Encyclopedia, Greenwood Publishing, Inc.

Burns, K. H. 2001. "Ames, Charles." In S. Sadie and J. Tyrrell, eds. The New Grove Dictionary of Music and Musicians (2nd edition). London: Macmillan Reference.

Burns, K. H. 2001. "Subotnick, Morton." In S. Sadie and J. Tyrrell, eds. The New Grove Dictionary of Music and Musicians (2nd edition). London: Macmillan Reference.

Burns, K. H. 2000. "Educating a New Generation of Women: WOW'EM." Proceedings of the XIII Colloquium on Musical Informatics. L'Aquila, Italy: Instituto Gramma, pp. 150&endash;152.

Leider, C., and K. Burns. 2000. "curvePainter: A New Didactic Compositional Tool." Proceedings of the XIII Colloquium on Musical Informatics. L'Aquila, Italy: Instituto Gramma, pp. 213-215.

Burns, K. H. "WOW'EM: Encouraging an Integrated Generation." Proceedings of the 2000 International Computer Music Conference. San Francisco, International Computer Music Association, pp. 489-490.

Burns, K. H. 1999. "Society of Electro-Acoustic Music in the United States 1999: A Review." International Alliance for Women in Music Journal 5(2/3):40-41.

Burns, K.H. 1999. "WOW'EM: Women On the Web/ElectronMedia." Leonardo Journal 32(2):60-61.

Burns, K.H. 1998. "Music by the Numbers: Algorithms Can Help You Write Your Next Symphony." Electronic Musician 14(5):96-104.

Burns, K. H. 1997. "A Review of the International Congress for Women in Music." International Alliance for Women in Music Journal 3(3):33-34.

Burns, K. H. 1997. "An Emerging Digital Community&emdash;the CD-ROM Artists." Organised Sound 2(1):13-18.

WOW/EM (Women On the Web&emdash;ElectronMedia), a web site for young women with interests in the intermedia arts. http://music.dartmouth.edu/~wowem, December 1996-present; owner and editor

Burns, K. H. 1994. "The 14th Annual Festival of New Music and Art: A Review." International League of Women Composers Journal February:28.

 

Recordings and Scores

Mozart’s Requiem. Recorded on [re]  everglade records,inc. 2006.

Copper Islands. Accepted for compilation DVD produced by SEAMUS for release in Fall 2006

Atanos I performed by Scott Locke, clarinet. everglade records, inc., upcoming 2007 release

Copper Islands. Featured on Computer Music Journal 2003 Sound and Video Anthology DVD. MIT Press (Winter 2004).

Copper Islands. 2003. DVD. MIT Press.

Somewhere--. 1999. Recorded on extracted celluloid. Seeland Records 509CD/illegal art 002.

Atanos II. 1999. Composition for tuba and tape. Tuba-Euphonium Press.

Frogpeace. 1998. Recorded on Frog Peak Collaborations Project. Frog Peak FP007.

Counterpoint: Tempus E. 1997. Interactive CD-ROM, recorded on Layers Magazine 1(1).

SomewhereÉ. 1999. Recorded on Soundbox2. Kiasma Museum of Contemporary Art, Helsinki, Finland.

 

Recording Engineering

Production technician. 1997. Morton Subotnick, and the butterþies begin to sing. Voyager, New World Records 80514.

CD-ROM production. 1996. Sam Carrier and Susan Kane, Poggio Colla: The 1995 Season Sampler. University of Pennsylvania Press.

Recording engineer. 1995. Pozzi Escot, Mirabilis (David Sills, viola). Events Dancing: Recent Compositions by Pozzi Escot and Robert Cogan. Music and Arts Programs of America, Inc. CD 892.

 

Papers and Presentations

"The Sound Recordist as Composer: Aesthetic and Practical Concerns," International Computer Music Conference, Tulane University, New Orleans, November 11, 2006

"High/Pop/HipHop...how do you tell...and who?" Invited Panel Participant, Toledo Museum of Art, Toledo, OH, October 23, 2004

"WOW/EM: Educating a New Generation of Women in Music Technology," Invited lecture at Murray State University, Murray, KY, February 13, 2004.

"'How to Make Your Wife Listen.' Gender Issues in Music Technology Advertising." Accepted juried presentation at the 7th International Festival of Women Composers, Indiana University-Pennsylvania, March 17, 2004

"'How to Make Your Wife Listen.' Gender Issues in Music Technology Advertising." Juried presentation at the College Music Society National Conference, Miami, FL, October 1, 2003.

International Alliance for Women in Music. Panel presentation at the 2003 International Festival of Women Composers Today, Seoul, Korea, April 9-15, 2003.

Women and Music in America Since 1900. Presentation at the Athena Festival, Murray, KY, March 5-7, 2003.

Women in Electro-Acoustic Music panel discussion. Presenataion for the Third Practice Festival, Richmond, VA, November 2, 2002.

Video panel discussion. Presentation for the Society of Electro-Acoustic Music in the United States National Conference, University of Iowa, Iowa City, IA, April 4-6, 2002.

"WOW/EM." Presentation for the Society of Electro-Acoustic Music in the United States National Conference, Louisiana State University, Baton Rouge, LA, March 1, 2001.

"Completing the Circle: Women in Music Workshop." Panelist, Miami-Dade Schools. Miami, FL, October 30, 1999.

"WOW/EM." Presentation for the Women and Technology panel, College Music Society, Denver, CO, October 14, 1999.

Burns, K. H. 1998. "WOW'EM: Encouraging an Integrated Generation." Juried paper presented at the 1998 Society of Electro-Acoustic Music in the United States National Conference, Dartmouth College, Hanover, NH, April 17, 1998.

"Women Compare Equipment: New Bells and Whistles." Panelist, 10th International Congress of Women in Music. California Institute of the Arts, Valencia, CA, May 28-June 1, 1997.

"Composition in the 21st Century." Panelist, 1997 Society of Composers, Inc. National Conference, Florida International University, Miami, FL, March 3-5, 1997.

Burns, K. H. 1996. "A New Electronic Genre: the CD-ROM." Juried paper presented at the 1996 Society of Electro-Acoustic Music in the United States National Conference, Birmingham, AL, April 18, 1996.

Burns, K. H. 1996. "A New Electronic Genre: the CD-ROM." Juried paper presented at the 1996 Society of Composers, Inc. National Conference, Memphis, TN, March 28, 1996.

Doctoral Dissertation, "The History and Development of Algorithms in Music Composition, 1957-1993," Doctor of Arts, Ball State University, 1994

"Interactive Digital Signal Processing in Monologue at 3:00 am." Faculty Colloquium, Oberlin Conservatory, March 30, 1994.

Burns, K. H. 1993. "Interactive Digital Signal Processing: Monologue at 3:00 am." Juried paper presented at the Society of Composers, Inc. Region V Conference, Bloomington, IL., November 19, 1993.

Burns, K. H. 1993. "Interactive Digital Signal Processing." Juried paper presented at the Electric Mountain Music Festival, Riverton, WY, May 21, 1993.

"Interactive Performance/Composition and Object-Oriented Programming," Ball State University, September 14 and 16, 1992.

Master's thesis, "The Fibonacci Series and the Golden Section as Applied to Form in Béla Bartók's Six Volumes of the Mikrokosmos and the Sonata for Two Pianos and Percussion," Master of Arts, University of Denver, 1990

"Proportions in Béla Bartók's Music for Strings, Percussion, and Celesta." Metropolitan State University, Denver, CO, March 15, 1989.

 

 

 

 

Professional Experience and Education

Courses

Grants, Service, and Activities

Memberships

Performances

Reviews

Compositions

Publications and Presentations

Index

 

 

 

 

 

copyright 1996, updated December 2006.
Dr. Kristine H. Burns
Florida International University, Miami,FL