|
TITLE |
INSTRUMENTATION |
DATE |
| in sheets, in cascades | SATB choir | 2006 |
| Mozart's Requiem | 5.1 channels of audio | 2006 |
| session | 5.1 channels of audio | 2005-06 |
| Cheraw | 5.1 channels of audio | 2005 |
Nuance |
harp and stereo tape | 2004 |
| latte! | percussion ensemble | 2004 |
| quicksilver | percussion and stereo tape | 2003-2004 |
| Cindy the Perky | flute, video, and stereo tape | in progress |
|
Cricketina |
children's opera (libretto by Lynne Barrett) |
2003 |
|
network |
video and stereo tape |
2003 |
|
Copper Islands |
video and stereo tape |
2002 |
|
Liquid Gold |
video and stereo tape |
2001 |
|
caffeine! |
flute, Bb clarinet, percussion, electric guitar, electric bass, piano, and stereo tape |
2001 |
|
caffeine kinesis |
wind ensemble |
2001 |
|
Heavy Metal |
video and stereo tape |
2000 |
|
Underwear: Second Pair |
non-specific instrumentation, video, and stereo tape |
2000 |
|
we can touch the spaces |
Bb clarinet and piano |
1999 |
|
Opera, Act I |
stereo tape |
1999 |
|
as night passes |
string orchestra and stereo tape |
1999 |
|
3 x 3 x 2 |
three trios for two flutists and live electronics |
1998 |
|
Within my reach! |
SATB choir and piano |
1998 |
|
"Underwear" |
double bass, video and stereo tape |
1997-98 |
|
In Evangelium |
SATB choir and keyboard |
1998 |
|
Garlands |
stereo tape |
1997-99 |
|
Frogpeace (Frog Peak Collaborations Project) |
stereo tape |
1997 |
|
Much madness is divinest sense |
SATB chorus and piano |
1997 |
|
Organic Gases |
five heads |
1997 |
|
Midwestern Sketches I: Barns |
Bb clarinet, video and stereo tape |
1996-97 |
|
Counterpoint: Tempus E |
video and stereo tape |
1996-97 |
|
Sonnet-- To Science |
WWW audio-visual composition |
1996 |
|
Bigg Badd-- |
stereo tape |
1996 |
|
"Munich Mannequins" |
five bodies, stereo tape, and video |
1996 |
|
Dido and Anaïs |
interactive CD-ROM composition |
1995-96 |
|
JoS for video |
stereo tape |
1995 |
|
"After Hearing a Waltz by Bartók" |
soprano and piano |
1995 |
|
Panther(e) |
stereo tape |
1995 |
|
Earlobe |
five bodies, stereo tape, and video |
1993-- |
|
"Bitter Lemons" |
soprano, chamber ensemble, and stereo tape |
1995, revised 1996 |
|
Atanos III |
viola and stereo tape |
1994-95 |
|
Atanos IV |
oboe and live electronics |
1994 |
|
Letters (Dear Henry . . and Anaïs) |
a two-movement intermedia work for video and stereo tape |
1994 |
|
Atanos II |
tuba and stereo tape |
1994 |
|
Bound |
stereo tape for a composition with dance and video |
1993 |
|
"The Enchanted Castle" |
amplified soprano and stereo tape |
1993 |
|
Anechoic Chamber |
stereo tape, nine versions |
1993 |
|
"Monologue at 3:00 am" |
four amplified voices, SATB, with interactive digital signal processing |
1993 |
|
FMK |
quadraphonic tape |
1993 |
|
Atanos I |
Bb clarinet and Yamaha Disklavier |
1993 |
|
Clytie |
soprano and chamber orchestra |
1992 |
|
The End of Various Affairs |
four amplified voices, SATB |
1992 |
|
Rumblings I: Like the rain upon the city |
stereo tape |
1992 |
|
"Till human voices wake us, and we drown" |
stereo tape |
1992 |
|
Modus II |
stereo tape |
1992 |
|
Modus I |
stereo tape |
1992 |
|
Tears |
orchestra |
1992 |
|
String Quartet No. 1 |
string quartet |
1990 |
|
L'Homme Arme with Fibonacci Proportions |
SATB chorus, flute, violin, viola, cello, tom-toms, and tambourine |
1990 |
|
Reigning Cats |
solo flute |
1989 |
|
Introduction and Sesquialtera |
flute, clarinet, and bassoon |
1989 |
|
Compositions |
copyright 1996, updated December 2006.
Dr. Kristine H. Burns
Florida International University, Miami,FL